Sports Narrative - Football Injury :: Personal Narrative Essays

Personal Narrative- Football Injury The nerves are raging, mainly in his stomach as the butterflies flutter till no end. "Is everything ok? Will everything go as planned?" He couldn't stop thinking about what might happen. Images were racing wild as he thought about his teammates going to battle without him. He couldn't comprehend why he had to let them handle it on their own. He has played with them since they were in eighth grade, and when they need him the most, all he can do is sit and cheer. He hates this feeling of helplessness, but at the same time he knows he has to do what little he can do, well. It was two days until the first game of my last high school football season. My team and I were going to play Bayfield, a battle we had persistently prepared for since the last game of our junior year. The sun was beating on my pads, radiating the heat to make practice seem even worse. I was exhausted and looking forward to the end of my last sweat poring practice for the week. Our team was repetitively executing plays to make sure they were like second nature to us on Friday. Then, creating an unknown peace, Coach Nelson yells, "Last Play!" The play was "Red 334"which is a run to our halfback, me, out of our dive series. I crouched over the ball as I jetted past the quarterback and ran the play so we could observe the changes we needed to make. I let out a sigh of relief because we were finished with the most dreaded part of practice; well, only until someone complained about not knowing their job on one of our pass plays. Coach Nelson undoubtedly decided we needed to run through the final pass play before we perfected our defense. The play was quietly called in the huddle with intentions of getting it right. I ran the play through my mind while I tried to remember what the snap count was and what I was supposed to do for that play. The ball was snapped and I jolted to the left of our team's quarterback to set up his backside protection. Out of my peripheral vision, I noticed the defensive end raging toward the quarterback. I intensely stepped into him while lowering my body and exploded through his shoulder pads sendin g him stumbling into the line's pass protection.

Catcher in the Rye ducks in the pond Symbolism Essay Essay

In The Catcher in the Rye J.D Salinger uses Holden’s recurring mentions of the ducks in Central park to reveal the childlike curiosity and genuine side to Holden’s regularly blunt and overwhelmingly cynical character. During his first of several taxi rides in the city, Holden, bothered by the thought of constant change yet intrigued by the thought of how others cope with change begins to ask his cab driver the whereabouts of the ducks in Central Park when the lake freezes over. â€Å"Then I thought of something, all of a sudden. â€Å"Hey, listen,† I said. â€Å"You know those ducks in that lagoon right near Central Park South? That little lake? By any chance, do you happen to know where they go, the ducks, when it gets all frozen over? Do you happen to know, by any chance?† I realized it was only one chance in a million. He `turned around and looked at me like I was a madman. â€Å"What’re ya tryna do, bud?† he said. â€Å"Kid me?†Ã¢â‚¬  No—I was just interested, that’s all.† (60). As exemplified by many symbols throughout the book such as the wax museum, Holden finds solace and comfort in things that are constant and don’t change. Holden’s interactions are sabotaged by his resentment of â€Å"phoniness† and his prominent and overly judgmental side, constantly overwhelming and undermining the genuine and caring side seen only when Holden feels comforted and welcomed by his environment. His red hunting cap is another symbol of protection for Holden. â€Å"Ackley took another look at my hat . . . â€Å"Up home we wear a hat like that to shoot deer in, for Chrissake,† he said. â€Å"That’s a deer shooting hat.† â€Å"Like hell it is.† I took it off and looked at it. I sort of closed one eye, like I was taking aim at it. â€Å"This is a people shooting hat,† I said. â€Å"I shoot people in this hat.† (22). When Holden says â€Å"I realized it was only one chance in a million.† (60), as he poses his question about the ducks to the cab driver, is his way of â€Å"people shooting† as demonstrated by his cap, a way of making the distinction between someone who would answer his question honestly, or someone in his mind â€Å"phony†, or disingenuous, clouded by the cruel realities of maturity and the adult world. This one in a million chance is Holden referring to his realization that the odds of a complete stranger answering his question seriously, are as good as none. Moreover, the continuous change and constant moving in Holden’s life, both of which he utterly resents are symbolic of the ducks. Holden’s changing from school to school is almost cyclical, as is the migration and the return of the ducks when the pond returns to its original state. Ultimately, Holden finds himself trapped in a state of longing for his childhood, his frequent use of alcohol and cigarettes and sense of maturity, all a faà §ade, masking his yearning for a life of innocence and honesty. â€Å" It was partly frozen and partly not frozen. But I didn’t see any ducks around.† (154). Finally, Holden’s state of being is defined by the lagoon, not frozen, not unfrozen. He is exactly that, in a transition between childhood and adulthood, half frozen and half not, the ducks in the pond being an everlasting symbol for the reluctance he shows to transition to adulthood, and his futile attempts to slow the inevitable process of maturity.

The Design Argument - as Level Essay examples - 3128 Words

a. Outline the Key Concepts of the Design Argument [21 marks] The design argument is also referred to at the Teleological Argument stemmed from the Greek work ‘Telos’ meaning end or purpose. It is an ‘A posterior’ argument (from experience) based on our empirical senses and it is synthetic meaning that it is from observation. The argument is also inductive meaning there a number of possible conclusions. The main basis of the Teleological argument is based on a designer commonly known as ‘the classical God of theism’ (hereafter referred to as God) The outline of the design argument is that the universe has order and purpose and is regular, the complexities of the universe demonstrate some form of design, a design requires a†¦show more content†¦It is obvious that both are not there by chance. Another analogy for this is the eye is designed so well for the purpose of seeing. A designer gave each part of the universe a special purpose. Paley makes the inductive leap to say that this designer is God. The Anthropic principle is a key feature of the Design argument and suits the theory of Design qua Regularity proposed by F.R. Tennant showing that science and religion are one in the same. He argues that human life flourishes on earth, therefore there must have been a supreme designer, that designer being God. Tennant accepts the scientific reasoning of evolution as a fine balance of ‘’fine tuning’’ and God’s chosen way to support life. Tennant also argues that ‘’the world could so easily have been chaotic’’ and that ‘’the universe is not chaotic, nature is the outcome of intelligent design.’’ Others argue that the earth runs so smoothly and everything works together therefore ‘’The world is compatible with a single throw of a dice and common sense is not foolish in suspecting the dice has been loaded’’ cited by Vardy. James Lovelock of the 20th century furthered the an thropic principle in ways of the Gaia Hypothesis, ‘’engineering on a planetary scale’’ cited by Vardy. He suggests that the oxygen content in the air, the salt content in the sea and the temperature of the earth are all precise in order for human life to flourish. If the oxygen content in the airShow MoreRelatedExplain Paleys Argument for the Existence of God1041 Words   |  5 PagesPaleys argument for the existence of God (25) William Paleys argument for the existence of God is an important aspect of the Design argument, which argues that the universe is being directed towards an end purpose due to the a posteriori (subject to experience) evidence of an intelligent designer, who is God. This is because it is perhaps arguably the most famous version, and the theory which modern-day theories for the Design argument are built upon. 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